Still, the hard difficulty of combat in certain spots more than makes up for this. Kratos controls just as well as he does on console, potentially better depending on who you ask, and there’s a wealth of puzzles that you can solves, though they’re nothing that really challenges your brain too much. What most players probably come to this series for is the fluid, seemingly endless combat that accompanies any GoW title, though the writing and dedication to proper mythological facets is impressive the whole way through too. Although most of the game involved you blazing through hordes of enemies, it was easy to get invested in the story. ![]() She had become bitter from caring over the fallen and allied herself with the Dream God Morpheus and the mighty Titan Atlas, in hopes of destroying the world along with herself. Overall, the voice acting was superb, the graphics were great even by PSP standards at the time, and I felt that each character had a good deal of depth. God of War: Chains of Olympus Persephone was the Queen of the Underworld and was the one responsible for orchestrating the events throughout the game. It easily carries the story of Kratos as he tries to stop a dark presence known as Morpheus from taking over the land. Its just the first small detail that made me love the setting of this game.ĭespite being on a handheld console, the tone and feel of this entry is equally as dark, brooding, and mysterious. ![]() ![]() Normally, I’d question whether this was intentional or not, but given just how much dedication has come from the developers in accurately depicting Greek mythology, I wholly believe it was intentional. In the same way, this entry into the God of War series brings us back to when Kratos was serving the Gods of Olympus for 10 years. Since Chains of Olympus takes place before God of War I, the series just so happens to mimic Homer’s The Odyssey since this, too, started off in ‘the middle’ of the story.
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